Event owner lens
Use this record to benchmark whether a comparable event makes the work after the room visible. The score is 47/100, so the next move is to benchmark the weakest pillars before repeating the format.
action-oriented convening agenda analysis
Programming & Events ATX TV Festival
This action-oriented convening in Culture / Media / Festival shows 78 visible agenda rows from atxfestival.com and scores 47/100: a moderate design signal with incomplete evidence. The clearest public signals sit in Learning Transfer and Network Design; the main limits are Follow Through and Problem Specificity. Visible mechanisms include Participant work, Commitments, Feedback, and Network design. Follow-through or tracking is at least visible enough to inspect, though causal proof still depends on stronger... A practical reading: For a reader, this is a comparison record more than a model to copy: it reads as an action-oriented convening, with the strongest visible signal in learning transfer and network design and the biggest open question around follow through and problem specificity. The practical test is whether the published agenda connects the room to post-event continuation and evidence. This page is an original public-evidence analysis, not a copy of the source agenda or an endorsement of the event. The score places the visible agenda in the moderate design signal band. The strongest visible pillars are Learning Transfer, Network Design, and Participation Architecture; the thinnest visible pillars are Follow Through, Future-of-Work Fit, and Evidence Maturity. Visible mechanisms include Participant work, Commitments, Feedback, Network design, and Learning transfer. The extracted agenda preview includes 113 visible rows. The most common formats are Pitch, Panel, and Roundtable; the most common inferred purposes are Commercial Exchange, Market Exchange, and Deliberation.
Eight-pillar fingerprint
Hover any pillar to see what it measures and, where it scored low, what the agenda is missing.
Participation Architecture?51
Participation Architecture - 51/100. Participant work, contribution, interaction, and alternatives to passive broadcast.
Follow Through?16
Follow Through - 16/100. Owners, dates, commitments, progress checks, and accountability after the room.Missing: Add named owners, dates, implementation checkpoints, and a visible post-event continuation path.
Problem Specificity?40
Problem Specificity - 40/100. A clear costly problem, objective, decision, or performance target.Missing: Name the costly problem, decision, or performance target the gathering is meant to move.
Personalization?41
Personalization - 41/100. Role, path, goal, preparation, or connection tailoring for participants.
Network Design?53
Network Design - 53/100. Structured weak ties, bridge-building, mixers, and relationship persistence.
Learning Transfer?59
Learning Transfer - 59/100. Applied practice, feedback, workplace use, refreshers, and 30-90 day transfer.
Evidence Maturity?40
Evidence Maturity - 40/100. Baseline, comparison, follow-up, isolation, and attribution confidence.Missing: Connect the agenda to modern work realities: hybrid participation, time value, accessibility, and AI-enabled support.
Future-of-Work Fit?40
Future-of-Work Fit - 40/100. Value against time, hybrid reality, accessibility, AI, and meeting load.
Fix the gaps
Field-tested exercises matched to this agenda's weakest pillars, from the exercise library.
Follow Through (16/100)
Exercises that strengthen it: Mental Toughness Workshop • WorkshopBank · 15% Solutions • WorkshopBank · Network Patches
Problem Specificity (40/100)
Exercises that strengthen it: 0 - “Two Person Scene” Theory · Challenge Axis - Knowmium: The Un-Training Consultancy · Fist to Five • WorkshopBank
Personalization (41/100)
Exercises that strengthen it: Journey Mapping • WorkshopBank · Group Energiser & Perspective-Changing Exercise - Paradigm... · Photo Storytelling
Agenda Preview
The actual agenda we captured. Every block is classified by format and purpose. Open any block to see how we read it; the colored edge shows whether it is participant work, broadcast, logistics, or a showcase.
Room vs wrapper
73 percent of the 113 classified blocks put participants to work; the rest broadcast, show, or handle logistics. That mix is what drives the participation score.
Participant workBroadcastShowcaseLogistics
all eventPitch Competition & ProgramPitchMarket exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisOutcome inferred from formatInferred from format
all eventInterested in the Pitch Competition? Season 15 Submissions are closed, but sign up here to be notified when Season 16 Submissions open!PitchMarket exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisOutcome inferred from formatInferred from format
all eventThe Pitch Competition and Mentorship Program is broken down into two partsPitchMarket exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisOutcome inferred from formatInferred from format
all eventCreators with a compelling story who feel unsure about navigating the twists, turns, and challenges of breaking into the TV industry.PresentationPacing+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
all eventAPRIL 24, 2026 - Finalists must confirm attendance for Live Pitch CompetitionPitchMarket exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisOutcome inferred from formatInferred from format
all eventMAY 28 - 31, 2026 - Live Pitch Competition at ATX TV Festival, Season 15 (exact day/time to be announced at a later date)PitchMarket exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisOutcome inferred from formatInferred from format
11:59 PM• Due to the high volume of interest, we have reached the maximum capacity for fee waivers allocated for this cycle. While we are currently unable to grant further waiver requests, we encourage you to still complete our Fee Waiver Interest Form. If our...PresentationKnowledge transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
all event• We also offer a student discount of 15% off submission fees. Please email pitch@atxfestival.com for more information.PitchMarket exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisOutcome inferred from formatInferred from format
all event5) Complete your Pitch Submission FormPitchMarket exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisOutcome inferred from formatInferred from format
all event1. Includes invitation to a hosted Reception for FinalistsReceptionRelationship building+
Format · LogisticsReceptionA social or hospitality block. Pacing and informal connection, not participant work.
Evidence basisOutcome inferred from formatInferred from format
all event2. Two (2) pre-festival virtual Roundtables includingRoundtableDiscussion+
Format · Participant workRoundtableSmall-group discussion where attendees contribute directly rather than only listening.
Evidence basisParticipant work is implied by the formatInferred from format
all event1. “Art of the Pitch” presentationPitchMarket exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisOutcome inferred from formatInferred from format
all event2. Workshop with Jackie Cohn and Rika Dharmesh Bhakta (More Better Productions) on the “making of a pitch” with practical advice and Q&AWorkshopParticipant work+
Format · Participant workWorkshopParticipants work on a problem and produce something. The strongest signal of participation architecture.
Evidence basisParticipant work is implied by the formatInferred from format
all event3. One (1) General Meeting with ATX TV Pitch Judge or PanelistPanelDiscussion+
Format · BroadcastPanelExperts discuss while the audience watches. Surfaces perspective but rarely creates participant work.
Evidence basisNo participant output visible from this rowRead from source, no work signal
all event4. A year long enrollment in ATX TV Pitch & Mentorship Program (Details Below)PitchMarket exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisOutcome inferred from formatInferred from format
all event1. Minimum two (2) General Meetings with ATX TV Pitch Judges or ATX TV Panelist for feedbackPanelDiscussion+
Format · BroadcastPanelExperts discuss while the audience watches. Surfaces perspective but rarely creates participant work.
Evidence basisNo participant output visible from this rowRead from source, no work signal
all event1. Script Read and General Meeting with minimum three (3) ATX TV Pitch Judges or ATX TV Panelists for feedbackPanelDiscussion+
Format · BroadcastPanelExperts discuss while the audience watches. Surfaces perspective but rarely creates participant work.
Evidence basisNo participant output visible from this rowRead from source, no work signal
all event2. Pitch Mentorship with Showrunner or Executive (three (3) virtual meetings) to help hone and edit the pitch to prepare winner for meetingsPitchMarket exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisOutcome inferred from formatInferred from format
all event3. Three (3) General Pitch Meetings with Studio, Network, or Production CompanyPitchMarket exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisOutcome inferred from formatInferred from format
all eventNo specific studio or network is guaranteed to hear pitch.PitchMarket exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisOutcome inferred from formatInferred from format
all eventAtx tv pitch & mentorship programPitchMarket exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisOutcome inferred from formatInferred from format
all eventGeneral Meetings with ATX TV Pitch JudgesPitchMarket exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisOutcome inferred from formatInferred from format
all eventJULY 2025 - Introductions & Crafting a PitchPitchMarket exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisOutcome inferred from formatInferred from format
all eventSEPTEMBER 2025 - Pitch, Pitch, PitchPitchMarket exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisOutcome inferred from formatInferred from format
all eventDECEMBER 2025 - Mentor Pilot & Pitch RotationsPitchMarket exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisOutcome inferred from formatInferred from format
all eventPitch Competition Terms and ConditionsPitchMarket exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisOutcome inferred from formatInferred from format
09:001. During the period between October 21, 2025 at :00 a.m. CT and November 23, 2025 at :59 p.m. CT (the “ Early Bird Submission Period ”), the Entry Fee shall be FORTY FIVE DOLLARS (US$45.00) ; andPresentationKnowledge transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
12:002. During the period between November 24, 2025 at :00 a.m. CT and January 11, 2026 at :59 p.m. CT (the “ Regular Submission Period ”), the Entry Fee shall be SIXTY FIVE DOLLARS (US$65.00) ; andPresentationKnowledge transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
12:003. During the period between January 12, 2026 at :00 a.m. CT and January 18, 2026 at :59 p.m. CT (the “ Late Submission Period ”), the Entry Fee shall be EIGHTY FIVE DOLLARS (US$85.00).PresentationKnowledge transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
11:59One (1) General Programming Festival Badge to the Festival, with the option to upgrade to Camp Badge for a payment of US$200 on or before May 8, 2026 at :59 p.m.RegistrationLogistics+
Format · LogisticsRegistrationCheck-in and logistics, not agenda content.
Evidence basisOutcome inferred from formatInferred from format
all eventMinimum of two (2) general advisory meeting or phone call with one (1) or more official Pitch Judges, ATX TV Panelists or AlumsPanelDiscussion+
Format · BroadcastPanelExperts discuss while the audience watches. Surfaces perspective but rarely creates participant work.
Evidence basisNo participant output visible from this rowRead from source, no work signal
all eventScript Read and General Meeting with minimum of two (2) ATX TV Pitch Judges for feedbackPitchMarket exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisOutcome inferred from formatInferred from format
all eventPitch Mentorship with Showrunner or Executive (three virtual meetings) to help hone and edit the pitch to prepare winner for meetings.PitchMarket exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisOutcome inferred from formatInferred from format
all eventThree (3) General Pitch Meetings with Studio, Network, or Production CompanyPitchMarket exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisOutcome inferred from formatInferred from format
all eventPitch Competition & Program Indie TV Pilot Competition & Showcase Press VolunteerDemoShowcase+
Format · Participant workDemoA hands-on or applied walkthrough that invites attendee questions and direct engagement.
Evidence basisOutcome inferred from formatInferred from format
all eventPitch Competition & ProgramPitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all eventInterested in the Pitch Competition? Season 15 Submissions are closed, but sign up here to be notified when Season 16 Submissions open!PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all eventThe ATX TV Pitch Competition and Mentorship Program was developed to give burgeoning TV writers the community, support, and tools needed to take the next steps in their careers.PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all eventThe Pitch Competition and Mentorship Program is broken down into two parts:PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all event1. The Live Pitch Competition at the annual ATX TV Festival gives ten (10) Finalists the chance to pitch their idea in front of some of TV’s greatest showrunners, producers, and executives at the annual ATX TV Festival.PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all event2. The Pitch & Mentorship Program that follows (May-May) then gives those Top Ten (10) Finalists a year of mentorship, support, and connections needed to make the next steps in their careers (see more below).PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all eventCreators with a compelling story who feel unsure about navigating the twists, turns, and challenges of breaking into the TV industry.BreakWellbeing+
Format · LogisticsBreakA pacing or recovery block between sessions.
Evidence basisMediumRead from source
all eventAPRIL 24, 2026 - Finalists must confirm attendance for Live Pitch CompetitionPitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all eventMAY 28 - 31, 2026 - Live Pitch Competition at ATX TV Festival, Season 15 (exact day/time to be announced at a later date)PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all event1) ninety (90) second video pitch of your great idea for an original scripted series. All genres welcome and encouraged - half hour or hour, comedy to drama, cable, streaming, broadcast, and any format. The only two (2) requirements are that your pitch must be for an original scripted (non-reality) series, and your video cannot exceed ninety (90) seconds. (We’re checking!)Opening RemarksOrientation+
Format · BroadcastOpening RemarksFraming or welcome from the stage. Orients the room, not participatory.
Evidence basisMediumRead from source
all event2) The first ten (10) pages of the pilot script for the series you are pitching. This is your chance to show that you not only have a great idea, but you have the chops to write it too!PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all eventRound 2 (Semi-finals) : The top up to twenty-five (25) submissions from Round 1 (open submissions) will be screened and read by our 2026 Pitch Program Mentors. The Mentors will be announced in April 2026 and are made up of industry professionals who work in development at our studio, network, and production company partners, are managers or agents, or working TV writers. Semi-finalists will be emailed a Questionnaire to be filled out and returned by March 17, 2026 to supplement their initial pitch and script submissions. The top ten (10) submissions will move on to be Finalists.PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all eventRound 3 (Live Finals) : The Live Pitch Finale! This is where the magic happens. The ten (10) Finalists will compete LIVE at ATX TV Festival Season 15 between May 28 - 31, 2026, with four (4) full minutes to pitch their ideas. Each finalist will also be able to project accompanying visuals on the screen for the judges and audience to see. Once all Finalists have pitched, our panel of Judges (showrunners, producers & executives) will choose a runner-up and a first place winner.PanelDeliberation+
Format · BroadcastPanelExperts discuss while the audience watches. Surfaces perspective but rarely creates participant work.
Evidence basisMediumRead from source
all event2) Film your ninety (90) second pitch, and then upload it as an unlisted video on YouTube (See - What is an unlisted YouTube video). This can be as simple as recording yourself on your phone, or as elaborate and high production value as you want to go. It’s your call - just make sure it’s no more than ninety (90) seconds. Any submissions over ninety (90) seconds will be disqualified and submission fees are non-refundable.PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all event3) Write the first ten (10) pages of your pilot! Remember, the script sample must match the pitch submitted. Title pages do NOT count towards your page count, and all samples must be submitted as a .PDF and titled First Name Last Name - Pitch Title.PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all event• Submission fee is $45 if your pitch is submitted on or before November 23, 2025 (Early Submission Deadline), $65 if submitted between November 24 and January 11, 2026 (Regular Submission Deadline), and $85 if submitted between January 12 and January 18, 2026.PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
11:59 PM• Due to the high volume of interest, we have reached the maximum capacity for fee waivers allocated for this cycle. While we are currently unable to grant further waiver requests, we encourage you to still complete our Fee Waiver Interest Form. If our waiver availability changes or if any currently allocated waivers are not utilized, we will reach out. All form submissions must be submitted before January 5, 2026 at CT.UnknownUnknown+
Format · BroadcastUnknownFormat not classified from the source; treated as a broadcast block by default.
Evidence basisMediumRead from source
all event• We also offer a student discount of 15% off submission fees. Please email pitch@atxfestival.com for more information.PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all event5) Complete your Pitch Submission Form:PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all event• Once you've paid your Submission Fee, you will be emailed the link to the Pitch Submission Form. There you will submit the names of all pitch participants, your pitch title, unlisted Youtube link, and writing sample.PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all event• You MUST complete the Pitch Submission Form within 24 hours of paying your Submission Fee for your Pitch to be submitted. Failure to complete the form within the 24 hour window will disqualify your Pitch, and all submission fees are non-refundable.PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all event6) That’s it! Well done, you did it! If you are selected for Round 2 of The Pitch Competition, you will be notified via email by March 3, 2026. As part of Round 2, all Semi-Finalists will be emailed a Questionnaire to be filled out by March 17, 2026 as a supplement to their original pitch and pilot script submission.PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all eventThe Pitch Competition’s live finale will be judged by a panel of TV writers, showrunners, and/or executives, which will be announced closer to the festival. For reference, Finale Judges from the Season 14 Competition (2025) included:PanelDeliberation+
Format · BroadcastPanelExperts discuss while the audience watches. Surfaces perspective but rarely creates participant work.
Evidence basisMediumRead from source
all eventOur ten (10) Finalists will pitch live at ATX TV Festival, Season 15 before a panel of industry judges (May 28 - 31, 2026, exact day/time to be announced at a later date)! Individuals or teams will have four (4) minutes to convince judges that they have the best TV show idea in the room.PanelDeliberation+
Format · BroadcastPanelExperts discuss while the audience watches. Surfaces perspective but rarely creates participant work.
Evidence basisMediumRead from source
all event1. Includes invitation to a hosted Reception for FinalistsReceptionRelationship Building+
Format · LogisticsReceptionA social or hospitality block. Pacing and informal connection, not participant work.
Evidence basisMediumRead from source
all event2. Two (2) pre-festival virtual Roundtables including:RoundtableDeliberation+
Format · Participant workRoundtableSmall-group discussion where attendees contribute directly rather than only listening.
Evidence basisMediumRead from source
all event1. “Art of the Pitch” presentationPitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all event2. Workshop with Jackie Cohn and Rika Dharmesh Bhakta (More Better Productions) on the “making of a pitch” with practical advice and Q&AWorkshopCo Creation+
Format · Participant workWorkshopParticipants work on a problem and produce something. The strongest signal of participation architecture.
Evidence basisMediumRead from source
all event3. One (1) General Meeting with ATX TV Pitch Judge or PanelistPanelDeliberation+
Format · BroadcastPanelExperts discuss while the audience watches. Surfaces perspective but rarely creates participant work.
Evidence basisMediumRead from source
all event4. A year long enrollment in ATX TV Pitch & Mentorship Program (Details Below)PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all event1. Minimum two (2) General Meetings with ATX TV Pitch Judges or ATX TV Panelist for feedbackPanelDeliberation+
Format · BroadcastPanelExperts discuss while the audience watches. Surfaces perspective but rarely creates participant work.
Evidence basisMediumRead from source
all event1. Script Read and General Meeting with minimum three (3) ATX TV Pitch Judges or ATX TV Panelists for feedbackPanelDeliberation+
Format · BroadcastPanelExperts discuss while the audience watches. Surfaces perspective but rarely creates participant work.
Evidence basisMediumRead from source
all event2. Pitch Mentorship with Showrunner or Executive (three (3) virtual meetings) to help hone and edit the pitch to prepare winner for meetingsPitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all event3. Three (3) General Pitch Meetings with Studio, Network, or Production CompanyPitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all eventNo specific studio or network is guaranteed to hear pitch.PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all eventATX TV PITCH & MENTORSHIP PROGRAMPitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all eventThe ATX TV Pitch & Mentorship Program, in partnership with More Better Productions, is the year long program for the ten (10) Pitch Competition Finalists that lasts from May 2025 - May 2026.PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all eventThe Program was developed to form a network of support around the Top 10 Finalists, guide them through the process of fully developing a pilot and pitch for their series, and help them get to the next stage of their career, whether that’s a support staff or a staff writing job, getting their material in front of producers, meeting with agents and managers, and/or expanding their network.PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all eventAn individualized pairing with an industry professional to build a year long relationship, to work with on developing a full series pitch and pilot, and seek guidance about navigating the entertainment industry and building a network.PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all eventMonthly virtual round table discussions and panels with Special Guests (showrunners, executives, managers, agents, etc.) intended to give all finalists an open forum to ask any questions about the industry or guest’s career.PanelDeliberation+
Format · BroadcastPanelExperts discuss while the audience watches. Surfaces perspective but rarely creates participant work.
Evidence basisMediumRead from source
all eventWorkshops focused on developing full 15-20 minute pitch, including practice sessions and feedback with industry professionals, ie. “mock pitches.”WorkshopCo Creation+
Format · Participant workWorkshopParticipants work on a problem and produce something. The strongest signal of participation architecture.
Evidence basisMediumRead from source
all eventGeneral Meetings with ATX TV Pitch JudgesPitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all eventWriters Room 101 Workshop with showrunner and staff writer(s) discussion various protocols in the writers room, including staffing levels, the overall do’s and don’t (that can vary greatly from room to room).WorkshopCo Creation+
Format · Participant workWorkshopParticipants work on a problem and produce something. The strongest signal of participation architecture.
Evidence basisMediumRead from source
all eventUp to 3 finalists will be able to pitch their project to the executive leadership of More Better Productions, including Jackie Cohn (Severance) and Rika Dharmesh Bhakta.PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all eventJULY 2025 - Introductions & Crafting a PitchPitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all eventMentor/mentee pairings are announced, and mentees receive mentor bios to get started. Kick off the program with a workshop on building a 20-minute pitch and best practices for crafting a compelling story. Mentees and mentors meet to set goals and establish timelines, followed by a pitching workshop with a showrunner.WorkshopCo Creation+
Format · Participant workWorkshopParticipants work on a problem and produce something. The strongest signal of participation architecture.
Evidence basisMediumRead from source
all eventMentees deliver their first draft of their pitch to mentors for feedback. Mentors provide guidance on refining ideas and organizing thoughts. This month also includes an Industry Professional Roundtable on development, and a group Zoom meeting for introductions and networking with all mentors and mentees.RoundtableDeliberation+
Format · Participant workRoundtableSmall-group discussion where attendees contribute directly rather than only listening.
Evidence basisMediumRead from source
all eventSEPTEMBER 2025 - Pitch, Pitch, PitchPitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all eventFocus shifts to refining the pitch. Mentees submit updated drafts, incorporating feedback from mentors. Mentors provide guidance on visual decks, leave-behinds, or sizzle reels to enhance presentations. The month concludes with an Industry Professional Roundtable.RoundtableDeliberation+
Format · Participant workRoundtableSmall-group discussion where attendees contribute directly rather than only listening.
Evidence basisMediumRead from source
all eventMentees submit their first draft of the pilot, translating pitch concepts into a full script. Mentors provide detailed feedback on story, characters, and structure. An Industry Professional Roundtable offers additional insight on production and development.RoundtableDeliberation+
Format · Participant workRoundtableSmall-group discussion where attendees contribute directly rather than only listening.
Evidence basisMediumRead from source
all eventMentees submit a second draft of their pilot and accompanying materials. Mentors review revisions and provide notes, culminating in practice pitch sessions with live feedback. An Industry Professional Roundtable helps mentees continue sharpening their projects.RoundtableDeliberation+
Format · Participant workRoundtableSmall-group discussion where attendees contribute directly rather than only listening.
Evidence basisMediumRead from source
all eventDECEMBER 2025 - Mentor Pilot & Pitch RotationsPitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all eventPilots are shared with new mentors to gain fresh perspectives. Mentees participate in practice pitch sessions with rotated mentors. The month concludes with an Industry Professional Roundtable and optional one-on-one project check-ins.RoundtableDeliberation+
Format · Participant workRoundtableSmall-group discussion where attendees contribute directly rather than only listening.
Evidence basisMediumRead from source
all eventMentees submit finalized pitch documents, supplemental materials, and pilot scripts. Rotated mentors provide feedback in general meetings and practice pitches. Virtual roundtables allow mentees to pitch to each other and gain valuable peer feedback.RoundtableDeliberation+
Format · Participant workRoundtableSmall-group discussion where attendees contribute directly rather than only listening.
Evidence basisMediumRead from source
all eventMentees connect with mentors and new industry contacts for general meetings, practice pitches, or pilot feedback. Each mentee participates in at least two external meetings. Virtual roundtables continue, allowing Finalists to pitch to their peers, and another Industry Professional Roundtable offers additional guidance.RoundtableDeliberation+
Format · Participant workRoundtableSmall-group discussion where attendees contribute directly rather than only listening.
Evidence basisMediumRead from source
all eventMentors help mentees expand their professional networks by introducing them to industry contacts. Mentees participate in an Industry Professional Roundtable and a group session to revise resumes and outline career goals for the next phase.RoundtableDeliberation+
Format · Participant workRoundtableSmall-group discussion where attendees contribute directly rather than only listening.
Evidence basisMediumRead from source
all eventThe top three pitches are selected to present to More Better Productions. Mentors support mentees with post-program career planning and connections. Mentees also participate in a Mock Writers Room with an ATX TV showrunner to experience collaborative writing in action.PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all eventThe ATX TV Mentorship Program is co-facilitated by Emily Gipson (Co-President, ATX TV) and Rika Dharmesh Bhakta (Manager of Film & TV Development, More Better Productions). It is a year long mentorship program that includes one-on-one individualized mentorships with lower and mid-level executives, agents, managers, and writers in the industry. These mentors support and uplift the Finalists on further developing their project and pitches, expanding their networks, and giving guidance on the next steps in their careers.PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all eventPitch Competition Terms and ConditionsPitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all eventThese Terms and Conditions (these “ Terms ”) apply to any individual (hereinafter, “ you ” or “ your ”) who wishes to submit an entry to the ATX TV Festival Pitch Competition (the “ Competition ”) at ATX TV Festival, Season 15 (also known as the 2026 ATX TV Festival) (the “ Festival ”). You understand that these Terms are a legally binding contract that governs your entry and participation in the Competition. PLEASE READ THESE TERMS CAREFULLY, AS THEY MAY IMPACT YOUR LEGAL RIGHTS IN THE EVENT OF A DISPUTE BETWEEN US. SPECIFICALLY, PLEASE REFER TO PARAGRAPH 12 BELOW, WHICH REQUIRES THAT CERTAIN DISPUTES BE SETTLED THROUGH MANDATORY BINDING ARBITRATION WHICH WILL PRECLUDE YOU FROM LEADING OR PARTICIPATING IN A CLASS ACTION.PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
09:001. During the period between October 21, 2025 at :00 a.m. CT and November 23, 2025 at :59 p.m. CT (the “ Early Bird Submission Period ”), the Entry Fee shall be FORTY FIVE DOLLARS (US$45.00) ; andUnknownUnknown+
Format · BroadcastUnknownFormat not classified from the source; treated as a broadcast block by default.
Evidence basisMediumRead from source
12:002. During the period between November 24, 2025 at :00 a.m. CT and January 11, 2026 at :59 p.m. CT (the “ Regular Submission Period ”), the Entry Fee shall be SIXTY FIVE DOLLARS (US$65.00) ; andUnknownUnknown+
Format · BroadcastUnknownFormat not classified from the source; treated as a broadcast block by default.
Evidence basisMediumRead from source
12:003. During the period between January 12, 2026 at :00 a.m. CT and January 18, 2026 at :59 p.m. CT (the “ Late Submission Period ”), the Entry Fee shall be EIGHTY FIVE DOLLARS (US$85.00).UnknownUnknown+
Format · BroadcastUnknownFormat not classified from the source; treated as a broadcast block by default.
Evidence basisMediumRead from source
all event2. In addition to the Entry Fee, entry to the Competition requires submission of the following: (i) a completed application form for the Competition (the “ Completed Form ”), (ii) a video, no longer than ninety (90) seconds in length, describing your original pitch for a scripted (non-reality) television series (the “ Video Pitch ”), and (c) a ten (10) page script sample from the series being pitched as part of the Pitch (the “ Script Sample ”), in each case, pursuant to and as further described in these Terms and the detailed instructions set forth on the Website.PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all event6. There will be three rounds (each, a “ Round ”) of evaluation based on the Judging Criteria for the selection of Semi-Finalists, Finalists, Runners-Up and Grand Prize Winner. Selection of the Grand Prize Winner from among the Finalists shall take place during the Festival, which takes place in Austin, Texas from May 28 to 31, 2026. Each Finalist will make a verbal presentation of his/her/their Pitch, not to exceed four (4) minutes (the “ Live Pitch ”).PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all event2. The Video Pitch component of the Entry must be no longer than ninety (90) seconds, be presented (primarily) in English, and be submitted (via digital upload) pursuant to the instructions provided on the Website.PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
11:59One (1) General Programming Festival Badge to the Festival, with the option to upgrade to Camp Badge for a payment of US$200 on or before May 8, 2026 at :59 p.m.RegistrationLogistics+
Format · LogisticsRegistrationCheck-in and logistics, not agenda content.
Evidence basisMediumRead from source
all eventOne (1) Camp Badge in the Finalist’s name to the Festival, one (1) ticket to the Festival Opening Night screening and after-party, and one (1) invitation to Finalists ReceptionReceptionRelationship Building+
Format · LogisticsReceptionA social or hospitality block. Pacing and informal connection, not participant work.
Evidence basisMediumRead from source
all eventInvitation to two (2) pre-festival virtual Happy Hours, including (i) the Art of the Pitch Workshop and (ii) a Q&A session with a showrunner and/or executive.WorkshopCo Creation+
Format · Participant workWorkshopParticipants work on a problem and produce something. The strongest signal of participation architecture.
Evidence basisMediumRead from source
all eventOne (1) general advisory meeting or phone call with a minimum of one (1) or more of the official Pitch Judges or ATX TV Panelist, lasting a minimum of thirty (30) minutes.PanelDeliberation+
Format · BroadcastPanelExperts discuss while the audience watches. Surfaces perspective but rarely creates participant work.
Evidence basisMediumRead from source
all eventMinimum of two (2) general advisory meeting or phone call with one (1) or more official Pitch Judges, ATX TV Panelists or AlumsPanelDeliberation+
Format · BroadcastPanelExperts discuss while the audience watches. Surfaces perspective but rarely creates participant work.
Evidence basisMediumRead from source
all eventScript Read and General Meeting with minimum of two (2) ATX TV Pitch Judges for feedbackPitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all eventPitch Mentorship with Showrunner or Executive (three virtual meetings) to help hone and edit the pitch to prepare winner for meetings.PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all eventThree (3) General Pitch Meetings with Studio, Network, or Production CompanyPitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all eventEntrant is the exclusive owner and sole author of the Entry (including the Script Sample and Video Pitch) and all components thereof are Entrant’s original creative work (and/or the Entrant has obtained prior written authorization to act on behalf of any co-creators) and the Entrant’s submission thereof does not and will not infringe, misappropriate, or violate the copyrights, trademarks, rights of privacy, publicity or other intellectual property rights or other rights of any person or entity.PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all eventThe Pitch is not based on any pre-existing intellectual property and is not substantially similar to a pitch Entrant has previously presented to a network or other industry professional.PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
all eventPitch Competition & Program Indie TV Pilot Competition & Showcase Press VolunteerDemoShowcase+
Format · Participant workDemoA hands-on or applied walkthrough that invites attendee questions and direct engagement.
Evidence basisMediumRead from source
all eventLet me chooseUnknownUnknown+
Format · BroadcastUnknownFormat not classified from the source; treated as a broadcast block by default.
Evidence basisLowRead from source
The Full Reading
Why It Ranks This Way +
Calibrated from GES design 43/100 and verified 42/100 with no fourth-loop cap.
Reader Takeaway. For a reader, this is a comparison record more than a model to copy: it reads as an action-oriented convening, with the strongest visible signal in learning transfer and network design and the biggest open question around follow through and problem specificity. The practical test is whether the published agenda connects the room to post-event continuation and evidence.
Strongest signals: Learning Transfer, Network Design, and Participation Architecture. Weakest signals: Follow Through, Future-of-Work Fit, and Evidence Maturity.
How This Agenda Could Improve +
- Add named owners, dates, implementation checkpoints, and a visible post-event continuation path.
- Connect the agenda to modern work realities: hybrid participation, time value, accessibility, and AI-enabled support.
- Add baseline measurement, comparison logic, tracking, or post-event impact reporting so effectiveness is not inferred only from format.
Fastest next move: Add named owners, dated next steps, and a visible continuation path before treating the event as outcome-ready.
Role-Specific Reading +
Sponsor lens
Look beyond exposure. Strong sponsor value would show qualified interaction, problem work, buyer learning, customer evidence, or follow-up. The practical sponsor move is to look for structured introductions, buyer-seller fit, and relationship persistence.
Designer lens
The agenda is useful as a pattern sample from atxfestival.com. Redesign attention should go first to the lowest-scoring pillars; in practice, turn the thinnest agenda blocks into participant work.
Executive lens
Treat the visible agenda as an operating plan. The executive move is to require owners, dates, and evidence before treating the event as strategic. If owners, proof, and follow-through are not visible, the public record does not yet prove strategic movement.
Aggregator lens
Treat the source URL as evidence, not decoration. The data-product move is to label the source boundary clearly before ranking the record before ranking or syndicating the record.
What GES Means Here +
The Gathering Effectiveness Score is a strict 0-100 public-evidence reading of the agenda across eight pillars. It rewards visible participant work, follow-through, transfer, network design, and proof mechanisms more than polish, speaker fame, attendance, or satisfaction.
Visible mechanisms: Participant work, Commitments, Feedback, Network design, Learning transfer.
Evidence boundary: Scores reflect visible agenda/source evidence and should not be read as proof of causal event impact.
Limitations, Score Caps, and Review Flags +
Limitations
- No baseline measurement is visible.
Score caps
- No fourth-loop score cap applied.
Review flags
- No tracking, validation, feedback, or impact measurement found in the visible source text.
- High cleanup rate: many extracted rows were hidden or merged as fragments.
Is this proof the event worked? +
No. This is a strict public-evidence reading of the agenda. Proof would require baseline, comparison, follow-up, attribution, and impact evidence beyond the listing.
What should a reader inspect first? +
Start with the source URL, then compare the eight pillar scores against the agenda rows. The biggest opportunities usually sit in follow-through, evidence maturity, and participant work.
Why publish weak records? +
Weak records are part of the map. They show where public agendas still describe sessions and speakers more often than outcomes, commitments, transfer, or proof.
How should I use the rows? +
Read the agenda rows as the visible design trace: formats, purposes, and evidence labels show what the public source made inspectable, not everything that happened in the room. This is a source-grounded interpretation of the public agenda record, not a copy of the source, and not an endorsement of the event.
Embed the verified badge +
This record is in the hand-verified gold set. Copy the snippet below to embed the verified badge on your own site.
<a href="https://unitedwetransform.com/events/evt_2026_programming_events_atx_tv_festival_pitch_competition_program_atxfestival_co"><img src="https://unitedwetransform.com/badge/ges-verified.svg" alt="GES verified by United We Transform" height="40"></a>Where To Go Next
Compare this agenda against other Culture / Media / Festival events scored on the same eight pillars.