United We Transform | Facilitator run sheet

Invocation Exercise

A group stands in an arc and speaks aloud in unison or quick succession to praise an everyday object as an imagined deity across three escalating phases: physical traits, intangible qualities, and direct supplications.

15 minutes | 4 to 12 people

Choose this exercise

Purpose: Practice collective focus, patterned listening, and thematic heightening by building on each other's language.

Use it when: Use during ideation or team warm-ups to practice collaborative convergence and creative callbacks.

Skip it when: Skip when participants are sensitive to religious ritual parody or when the group needs analytical problem solving rather than playful exaggeration.

Group arrangement: Single semi-circle facing an open center point

Timing: UWT plan structured around the source's 3-phase progression.

Materials and tools

Before participants arrive

  1. Place the mundane object on a small table or stand in the center of the room.
  2. Arrange chairs or standing marks in an open semi-circle facing the object.

Say this to open

Today we are going to explore an improv exercise called Invocation. We will look at this everyday object in the center and treat it as a grand deity. Together we will address it through three distinct phases: first, describing its concrete physical details; second, praising its abstract or intangible qualities; and third, making wild requests of it. Anyone can speak at any time into the center. You may repeat phrases, mirror cadences, or call back details that others mention.

How to run it

  1. Introduce structure and choose cadence 3 minutes

    Explain the three phases and establish an opening repeated phrase, such as 'Oh, God...' or 'Great Stapler...'. Demonstrate how each player will offer short spontaneous lines directed at the object without formal turns.

  2. Phase one: Physical description 3 minutes

    On the facilitator's cue, players address the object using only its observable physical traits (for example: 'Oh, God, with your cold steel jaw,' or 'Oh, God, with your painted blue shell'). Encourage people to repeat key descriptions and mirror language patterns. Stop when 6 to 10 distinct physical details have emerged.

  3. Phase two: Intangible qualities 3 minutes

    Shift the group into phase two. The group now addresses metaphorical, emotional, or unseen powers of the object, recalling details from phase one (for example: 'Oh, God, who binds all chaos into order,' or 'Oh, God, who never bends under pressure'). Continue for about 3 minutes.

  4. Phase three: Requests and supplication 3 minutes

    Shift to phase three. Players make direct requests for the deity to act upon them or their world, using callbacks from earlier phases (for example: 'Oh, God, fasten my enemies together,' or 'Oh, God, press down upon our doubts'). Facilitate a natural group crescendo to conclude the ritual.

  5. Reflect and debrief 3 minutes

    Lead a brief whole-room debrief focusing on listening, mirroring, and collaborative building. Ask 2 or 3 participants to share observations.

Debrief questions

Finished output: A collectively built spoken ritual with distinct escalating themes based on a single object.

Remote

Have all participants switch to gallery view with cameras on. The facilitator displays an image of the mundane object on screen or in a spotlighted tile. Participants speak freely using open microphones, leaving natural pauses so voices do not clash. Those who prefer not to speak aloud may drop phase-appropriate lines directly into the text chat for others to voice or incorporate.

Hybrid

In-person members face the central camera and room display in a semi-circle while remote members appear on the main room screen. Turn priority is conversational: remote participants can chime in verbally or post lines in chat, which an assigned room ally reads aloud as part of the invocation.

Access and participation choices

If the session gets stuck

People talk over each other constantly, causing chaos.
Remind the group to embrace short pauses between statements and encourage echoing or repeating the last spoken line before adding a new detail.
Statements become too random and disconnect from previous lines.
Pause briefly and prompt the group to use a callback: 'Take the last physical detail someone said and turn it into an intangible quality.'

Terms used here

Sources and adaptation

Observed in Improv Does Best (2016) documenting an exercise used at The Coalition theater.

Retained the core three-phase structure (physical description, intangible qualities, requests/do unto us), the semi-circle staging, and the mirroring/callback techniques from the Improv Does Best source. UWT provided concrete timings, setup logistics, accessibility choices, remote/hybrid adaptations, and structured debrief prompts.

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