Event owner lens
Use this record to benchmark whether a comparable event makes the work after the room visible. The score is 45/100, so the next move is to benchmark the weakest pillars before repeating the format.
broadcast-heavy conference agenda analysis
2026 Festival Guide - Tribeca Film Festival - STORYTELLING SUMMIT
This broadcast-heavy conference in Culture / Media / Festival shows 70 visible agenda rows from tribecafilm.com and scores 45/100: a moderate design signal with incomplete evidence. The clearest public signals sit in Personalization and Future-of-Work Fit; the main limits are Follow Through and Participation Architecture. Visible mechanisms include Participant work, Feedback, Network design, and Learning transfer. The public record does not show follow-up or tracking, so the score should be read as design intent... A practical reading: For a reader, this is a comparison record more than a model to copy: it reads as a broadcast-heavy conference, with the strongest visible signal in personalization and future-of-work fit and the biggest open question around follow through and participation architecture. The practical test is whether the published agenda connects the room to post-event continuation and evidence. This page is an original public-evidence analysis, not a copy of the source agenda or an endorsement of the event. The score places the visible agenda in the moderate design signal band. The strongest visible pillars are Personalization, Future-of-Work Fit, and Learning Transfer; the thinnest visible pillars are Follow Through, Participation Architecture, and Evidence Maturity. Visible mechanisms include Participant work, Feedback, Network design, Learning transfer, and Personalization. The extracted agenda preview includes 119 visible rows. The most common formats are Presentation, Unknown, and Panel; the most common inferred purposes are Knowledge Transfer, Unknown, and Wellbeing.
Eight-pillar fingerprint
Hover any pillar to see what it measures and, where it scored low, what the agenda is missing.
Participation Architecture?30
Participation Architecture - 30/100. Participant work, contribution, interaction, and alternatives to passive broadcast.Missing: Turn passive airtime into participant work: practice, sensemaking, decisions, critique, or artifact creation.
Follow Through?5
Follow Through - 5/100. Owners, dates, commitments, progress checks, and accountability after the room.Missing: Add named owners, dates, implementation checkpoints, and a visible post-event continuation path.
Problem Specificity?58
Problem Specificity - 58/100. A clear costly problem, objective, decision, or performance target.
Personalization?66
Personalization - 66/100. Role, path, goal, preparation, or connection tailoring for participants.
Network Design?46
Network Design - 46/100. Structured weak ties, bridge-building, mixers, and relationship persistence.
Learning Transfer?63
Learning Transfer - 63/100. Applied practice, feedback, workplace use, refreshers, and 30-90 day transfer.
Evidence Maturity?45
Evidence Maturity - 45/100. Baseline, comparison, follow-up, isolation, and attribution confidence.Missing: Add baseline measurement, comparison logic, tracking, or post-event impact reporting so effectiveness is not inferred only from format.
Future-of-Work Fit?65
Future-of-Work Fit - 65/100. Value against time, hybrid reality, accessibility, AI, and meeting load.
Fix the gaps
Field-tested exercises matched to this agenda's weakest pillars, from the exercise library.
Follow Through (5/100)
Exercises that strengthen it: Mental Toughness Workshop • WorkshopBank · 15% Solutions • WorkshopBank · Network Patches
Participation Architecture (30/100)
Exercises that strengthen it: Make A World · Awestruck 3 Minutes · Spectrum Mapping
Network Design (46/100)
Exercises that strengthen it: Fun Trust-Building Group Game for Team Connection - Izzat... · Exciting Group Trust Activity for Building Confidence... · PFP: September 2005
Post-event evidence
- Organizer claim The Tribeca Festival announced its 2026 programming lineup for the 'Talks, Reunions, and Retrospectives' series. Source ↗
Found by searching the public web for what happened after this gathering, then classified and screened by our pipeline. Evidence labels describe who is making the claim, not whether the event succeeded.
Agenda Preview
The actual agenda we captured. Every block is classified by format and purpose. Open any block to see how we read it; the colored edge shows whether it is participant work, broadcast, logistics, or a showcase.
Room vs wrapper
15 percent of the 119 classified blocks put participants to work; the rest broadcast, show, or handle logistics. That mix is what drives the participation score.
Participant workBroadcastShowcaseLogistics
10:30am - 11:30pmKick off your Summit experience with an insider’s guide to the program. Hosted by Storytelling Summit Producer Shayna Weingast, this session offers an overview of this year’s lineup highlights, can’t-miss conversations and events, and tips on how to navigate...PresentationKnowledge transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
12pm - 1pmFrom his breakout role on Scrubs to writing, directing, and starring in the beloved indie classic Garden State , Zach Braff has built a career that seamlessly bridges comedy, drama, and deeply personal storytelling. In this candid conversation, Braff...PresentationPacing+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
2pm - 3pmCreative partnerships are rarely linear, and for Lily Rabe and Hamish Linklater, collaboration has been as much about instinct and serendipity as intention. In this conversation, they reflect on the evolution of their work together - from being repeatedly cast...WorkshopParticipant work+
Format · Participant workWorkshopParticipants work on a problem and produce something. The strongest signal of participation architecture.
Evidence basisParticipant work is implied by the formatInferred from format
3:30pm - 4:30pmThe Academy of Motion Picture Arts and Sciences is dedicated to inspiring young artists and creating opportunities for many communities to engage with the film world. Please join senior leaders from the Academy for a closed information session highlighting...PresentationKnowledge transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
5pm - 6pmAs audiences increasingly turn to short-form content, leading media organizations are redefining how short films are developed, commissioned, and brought to audiences. This conversation explores how editorial vision, platform strategy, and creative...PresentationKnowledge transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
all eventDaily Networking Wrap-UpClosingOrientation+
Format · BroadcastClosingFormat not classified from the source; treated as a broadcast block by default.
Evidence basisNo participant output visible from this rowRead from source, no work signal
6pm - 7pmJoin us each evening of the Storytelling Summit for the Networking Wrap-Up - a casual end-of-day gathering where filmmakers, creators, executives, and industry professionals can continue the conversations sparked throughout the program. Network, make new...ClosingOrientation+
Format · BroadcastClosingFormat not classified from the source; treated as a broadcast block by default.
Evidence basisNo participant output visible from this rowRead from source, no work signal
10:30am - 11:30amFrom her breakout role as Harper Stern in HBO and BBC's Industry to a dynamic run across film and television, Myha'la has quickly emerged as one of the most compelling actors of her generation. In this conversation, she reflects on her rapid rise, navigating...PresentationPacing+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
all eventFrom Spark to Structure: Developing Nonfiction That Breaks ThroughPresentationPacing+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
12pm-1pmTracy JarrettPresentationKnowledge transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
2pm - 3pmIndependent film financing is evolving rapidly and financing an independent film today means building a smart, flexible mix of grants, private equity, tax incentives, pre-sales, and beyond. This conversation offers a clear-eyed look at the opportunities,...PresentationKnowledge transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
3:30pm - 4:30pmAI is rapidly transforming the filmmaking process, unlocking powerful new creative possibilities for storytellers. This conversation dives into how artist-driven, ethically trained models and cutting-edge tools are streamlining workflows - from concept to...PresentationKnowledge transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
5pm - 6pmFrom monologues to ''A Closer Look,'' late-night writers are on the front lines of turning the day’s chaos into sharp, immediate storytelling. This conversation goes inside the writers’ room at Late Night with Seth Meyers - how ideas are generated, refined,...PresentationPacing+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
10:30amFrom Silicon Valley and The Office to his recent turn in A24’s How to Make a Killing , Zach Woods has built a career defined by sharp intelligence, emotional nuance, and a singular comedic voice. In this wide-ranging conversation, Woods reflects on his...PresentationKnowledge transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
12:00pm-1:00amNew York Women in Film & Television (NYWIFT) looks back on Tribeca’s 25th Anniversary history of championing women’s stories on screen and in the community. The festival has had a major impact in shifting the balance to recognize more women and non-binary...PresentationKnowledge transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
2pm-3pmThis conversation explores a growing shift in nonfiction storytelling as incarcerated filmmakers and creators within historically closed systems reclaim authorship over their own narratives. As access to tools, training, and platforms expands - through...TrainingDiscussion+
Format · Participant workTrainingGuided skill building where participants practice. Counts as participant work and learning transfer.
Evidence basisParticipant work is implied by the formatInferred from format
3:30pm-4:30pmCasting is often the most intuitive - and least visible - force behind great storytelling, shaping performances and defining a project's voice long before cameras roll. In this conversation, legendary casting directors pull back the curtain on their process,...PresentationKnowledge transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
5pm-6pmRebecca Miller - acclaimed filmmaker, author, and one of cinema’s most distinct voices - joins Josh Safdie (Marty Supreme) for a high-energy conversation on craft and process. From The Ballad of Jack and Rose to She Came to Me , and recent acclaimed Apple TV+...PresentationKnowledge transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
all eventFrom Script to Screen: K-Pop Demon Hunters & BeyondDemoShowcase+
Format · Participant workDemoA hands-on or applied walkthrough that invites attendee questions and direct engagement.
Evidence basisOutcome inferred from formatInferred from format
10:30am-11:30amThe screenwriting duo behind Netflix’s animated mega-hit K-Pop Demon Hunters reflect on their creative partnership and evolving careers across film and television in a conversation with the host of the award-winning Smart Girl Dumb Questions podcast....DemoShowcase+
Format · Participant workDemoA hands-on or applied walkthrough that invites attendee questions and direct engagement.
Evidence basisOutcome inferred from formatInferred from format
12pm-1pmFrom his early career as an actor to his emergence as a BAFTA-nominated director, Philip Barantini has quickly established himself as one of the most dynamic voices in contemporary British filmmaking. Known for his distinctive use of the ''oner'' - a long,...PresentationKnowledge transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
2pm - 3pmGreat stories rarely stay in one form. This panel explores the creative and practical process of adapting work across mediums - from books to film, film to stage, and beyond. With a focus on recent film-to-theater adaptations, the conversation will examine how...PanelDiscussion+
Format · BroadcastPanelExperts discuss while the audience watches. Surfaces perspective but rarely creates participant work.
Evidence basisNo participant output visible from this rowRead from source, no work signal
3:30pm - 4:30pmAs the independent film landscape continues to evolve, new models are emerging to support creators navigating an increasingly complex ecosystem. This conversation explores Open Cities, a new production company and accelerator designed to empower filmmakers...PresentationKnowledge transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
5pm - 6pmThis conversation pulls back the curtain on the role of the multifaceted role of the showrunner - where creative vision meets leadership, strategy, and execution. From shaping story in the writers' room to navigating production, talent, and network demands,...PanelDiscussion+
Format · BroadcastPanelExperts discuss while the audience watches. Surfaces perspective but rarely creates participant work.
Evidence basisNo participant output visible from this rowRead from source, no work signal
10:30am - 11:30amFrom intimate character studies to searing portraits and rigorous investigative work, today's filmmakers are expanding the scope and impact of nonfiction storytelling. This conversation explores how directors and producers are pushing the form...PresentationKnowledge transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
12:00pm - 1:00pmChé ChisholmPresentationKnowledge transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
2:00pm - 3:00pmWhat does it take to create comedy that resonates - episode after episode, season after season? In celebration of NBC100, writers behind some of New York’s most iconic shows - from 30 Rock to Brooklyn Nine-Nine and beyond - go inside the fast-paced, high-pressure...PresentationKnowledge transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
3:30pm - 4:30pmPresented by the NYC Mayor’s Office of Media and Entertainment, this conversation offers a behind-the-scenes look at what it really takes to shoot in New York City. From navigating logistics and locations to capturing the city’s ever-evolving energy, the...PresentationKnowledge transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
5pm-6pmAs traditional distribution models continue to shift, a new wave of platforms and companies is empowering filmmakers to take control of how their work reaches audiences. This conversation explores innovative, filmmaker-first approaches - from...PanelDiscussion+
Format · BroadcastPanelExperts discuss while the audience watches. Surfaces perspective but rarely creates participant work.
Evidence basisNo participant output visible from this rowRead from source, no work signal
12:30pm - 1:30pm@ Shorts Theater at Spring StudiosPresentationKnowledge transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
all eventFrom Feed to Feature: Creators Breaking into FilmmakingPresentationPacing+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
11am - 12pmA new generation of storytellers is making the leap from digital platforms to the big screen. This conversation explores how content creators are translating their voice, audience, and creative instincts into feature filmmaking - navigating scale, financing,...PresentationKnowledge transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
1pm - 2pmIn a crowded marketplace, taste isn't subjective, it's a strategy. This conversation explores how leading film companies define their creative identity and translate it into the projects they develop and champion. Panelists will discuss what they look for in...PanelDiscussion+
Format · BroadcastPanelExperts discuss while the audience watches. Surfaces perspective but rarely creates participant work.
Evidence basisNo participant output visible from this rowRead from source, no work signal
all eventPitching: Winning Over the RoomPitchMarket exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisOutcome inferred from formatInferred from format
3pm - 4pmYou’ve got a strong project and a solid logline - but when it’s time to pitch it out loud, does it actually land? This interactive workshop is designed to turn a flat pitch into one that feels confident, clear, and compelling, breaking down how to communicate...WorkshopParticipant work+
Format · Participant workWorkshopParticipants work on a problem and produce something. The strongest signal of participation architecture.
Evidence basisParticipant work is implied by the formatInferred from format
5pm - 6pmUsing the Oscar-nominated short film Feeling Through as a case study, this conversation explores what it truly means to build accessibility into production from the ground up. This panel examines how the team partnered with the DeafBlind community to create...PanelDiscussion+
Format · BroadcastPanelExperts discuss while the audience watches. Surfaces perspective but rarely creates participant work.
Evidence basisNo participant output visible from this rowRead from source, no work signal
11am - 12pmAs the traditional distribution landscape tightens, a new generation of indie distributors is emerging to fill the gap - bringing fresh strategies, bold curatorial voices, and alternative pathways to audiences. This conversation explores how these companies...PresentationKnowledge transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
1pm - 2pmTim LeaguePresentationKnowledge transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
3pm - 4pmFrom his acclaimed breakout debut Pig to the studio scale of A Quiet Place: Day One, Michael Sarnoski has quickly established himself as a distinctive voice, blending intimate character work with expansive, high-stakes storytelling. In this conversation, he...PresentationPacing+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
5pm - 6pmHow do you make an audience feel unsettled before anything even happens? Drawing from their work on their hit show on Netflix, Something Very Bad is Going to Happen , creator and showrunner Haley Z. Boston and composer Colin Stetson break down the craft of...BreakPacing+
Format · LogisticsBreakA pacing or recovery block between sessions.
Evidence basisOutcome inferred from formatInferred from format
11am - 1pm@ Shorts Theater at Spring StudioPresentationKnowledge transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
1:30pm - 2:30pmIn this conversation, long-time producer Ted Hope unpacks his NonDē movement - a reimagining of independent filmmaking that challenges traditional industry models and prioritizes sustainability, creative freedom, and direct connection with audiences. Moving...PresentationKnowledge transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
3pm-4pmThis panel will explore how Sphere is ushering in a new era of immersive entertainment, where technology, scale, and premium content transform how audiences experience storytelling. Through The Wizard of Oz at Sphere, this conversation explores the success...PanelDiscussion+
Format · BroadcastPanelExperts discuss while the audience watches. Surfaces perspective but rarely creates participant work.
Evidence basisNo participant output visible from this rowRead from source, no work signal
5pm - 6pmFollowing years of a minimalist wave threaded through different industries and artistic mediums, maximalism feels abundant again. There will always be space for all the forms, but how does bold and distinct aesthetic decisions create singular tone? What does...PresentationKnowledge transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisSession topic references decisions or metrics; event-level follow-through is not shownRead from source
3am - 11:30amWhether a blood pumping metal guitar crescendo adds shockwaves to a boss battle, or the quick theme highlights a new buff or collectable, music and sound design takes entertainment to new heights. Join representatives from the Tribeca 2026 Games Official...PresentationPacing+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
12:00pm-1:00pmWith a growing need for meaningful talent development initiatives, mentorship, and placement opportunities across the entertainment landscape, WBD Access serves as a powerful conduit for talent and Warner Bros. Discovery brands. In this conversation, we will...PresentationKnowledge transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
2pm - 3pmAn interactive panel discussion and case study on innovative models and partnerships for short film distribution using Level Forward impact campaigns and shorts distribution as case study - including Nazrin Choudhury's Oscar-nominated Red, White & Blue, the...PanelDiscussion+
Format · BroadcastPanelExperts discuss while the audience watches. Surfaces perspective but rarely creates participant work.
Evidence basisNo participant output visible from this rowRead from source, no work signal
3:30pm - 4:30pmDan Houser, co-founder of Rockstar Games and the creative force behind Grand Theft Auto and Red Dead Redemption, now leads the storytelling-driven company Absurd Ventures. Since its launch, Absurd has expanded across mediums with projects including the...PresentationKnowledge transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
5pm - 6pmEver wonder what it was like to serve dessert to a genocidal tyrant? The filmmaking team behind the documentary How to Feed a Dictator discuss their film, how food and power are inherently intertwined, and what parallels we can draw from the 20th century’s...PresentationKnowledge transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisNo participant output visible from this rowRead from source, no work signal
10:30am - 11:30pmKick off your Summit experience with an insider’s guide to the program. Hosted by Storytelling Summit Producer Shayna Weingast, this session offers an overview of this year’s lineup highlights, can’t-miss conversations and events, and tips on how to navigate the Summit to get the most out of your time. Bring your questions - this is an open forum designed to help you connect, plan, and make the most of everything the Summit has to offer.PresentationKnowledge Transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisMediumRead from source
12pm - 1pmFrom his breakout role on Scrubs to writing, directing, and starring in the beloved indie classic Garden State , Zach Braff has built a career that seamlessly bridges comedy, drama, and deeply personal storytelling. In this candid conversation, Braff reflects on his creative evolution across acting, writing, producing, and directing, alongside his latest project, Clean Hands - having its world premiere at this year’s Tribeca Festival - offering insight into his enduring connection to character-driven, emotionally resonant work.BreakWellbeing+
Format · LogisticsBreakA pacing or recovery block between sessions.
Evidence basisMediumRead from source
all eventZach Braff first rose to prominence starring in the beloved series Scrubs , earning Emmy and Golden Globe nominations over its nine-season run while beginning his transition behind the camera. A graduate of Northwestern University, Braff also built an early career in theater, performing in New York, London, and on Broadway. He made his feature debut as writer, director, and star of Garden State , which premiered at Sundance became a breakout indie success, earning him an Independent Spirit Award and a Grammy for its soundtrack. He went on to write and direct the feature films Wish I Was Here and A Good Person , and has continued to work across film, television, and podcasts, solidifying his reputation as a versatile multi-hyphenate.BreakWellbeing+
Format · LogisticsBreakA pacing or recovery block between sessions.
Evidence basisMediumRead from source
2pm - 3pmCreative partnerships are rarely linear, and for Lily Rabe and Hamish Linklater, collaboration has been as much about instinct and serendipity as intention. In this conversation, they reflect on the evolution of their work together - from being repeatedly cast opposite one another to actively creating projects built around their shared sensibility - offering insight into a process that is at once deeply collaborative and distinctly individual.UnknownUnknown+
Format · BroadcastUnknownFormat not classified from the source; treated as a broadcast block by default.
Evidence basisMediumRead from source
3:30pm - 4:30pmThe Academy of Motion Picture Arts and Sciences is dedicated to inspiring young artists and creating opportunities for many communities to engage with the film world. Please join senior leaders from the Academy for a closed information session highlighting their global talent development programs - Gold Rising, the Nicholl Fellowships in Screenwriting, the Student Academy Awards, the Gold Fellowship for Women, and more. Presented by The Acamedy of Motion Pictures Arts and Sciences.PresentationKnowledge Transfer+
Format · BroadcastPresentationSpeakers present, the audience receives. Awareness only unless paired with practice or follow-up.
Evidence basisMediumRead from source
5pm - 6pmAs audiences increasingly turn to short-form content, leading media organizations are redefining how short films are developed, commissioned, and brought to audiences. This conversation explores how editorial vision, platform strategy, and creative risk-taking shape films that both stand on their own and extend the journalistic and cultural work of their institutions - sparking conversation, influencing discourse, and reaching global audiences.UnknownUnknown+
Format · BroadcastUnknownFormat not classified from the source; treated as a broadcast block by default.
Evidence basisMediumRead from source
all eventDaily Networking Wrap-UpClosing RemarksOrientation+
Format · BroadcastClosing RemarksClosing framing from the stage. Wraps the event, not participatory.
Evidence basisMediumRead from source
6pm - 7pmJoin us each evening of the Storytelling Summit for the Networking Wrap-Up - a casual end-of-day gathering where filmmakers, creators, executives, and industry professionals can continue the conversations sparked throughout the program. Network, make new connections, and engage with the creative community.Closing RemarksOrientation+
Format · BroadcastClosing RemarksClosing framing from the stage. Wraps the event, not participatory.
Evidence basisMediumRead from source
10:30am - 11:30amFrom her breakout role as Harper Stern in HBO and BBC's Industry to a dynamic run across film and television, Myha'la has quickly emerged as one of the most compelling actors of her generation. In this conversation, she reflects on her rapid rise, navigating complex, high-intensity roles, and building a career across projects like Leave the World Behind , Bodies Bodies Bodies , Dead Man's Wire and They Will Kill You. With Industry heading into its final season, Myha'la offers insight into the choices and creative instincts shaping her next chapter.BreakWellbeing+
Format · LogisticsBreakA pacing or recovery block between sessions.
Evidence basisMediumRead from source
all eventMyha'la is a rising star best known for her breakout role as Harper Stern in the critically acclaimed HBO/BBC series Industry , recently renewed for a fifth and final season. On the big screen, she stars opposite Zazie Beetz in They Will Kill You and appeared in Gus Van Sant's Dead Man's Wire , which premiered at Venice and TIFF. Her recent credits also include Swiped , inspired by Bumble founder Whitney Wolfe Herd, and Leave the World Behind for Netflix. Additional film work includes Dumb Money and A24's Bodies Bodies Bodies. A graduate of Carnegie Mellon's School of Drama, Myha'la is based in Brooklyn.BreakWellbeing+
Format · LogisticsBreakA pacing or recovery block between sessions.
Evidence basisMediumRead from source
all eventFrom Spark to Structure: Developing Nonfiction That Breaks ThroughBreakWellbeing+
Format · LogisticsBreakA pacing or recovery block between sessions.
Evidence basisMediumRead from source
12pm-1pmTracy JarrettUnknownUnknown+
Format · BroadcastUnknownFormat not classified from the source; treated as a broadcast block by default.
Evidence basisMediumRead from source
2pm - 3pmIndependent film financing is evolving rapidly and financing an independent film today means building a smart, flexible mix of grants, private equity, tax incentives, pre-sales, and beyond. This conversation offers a clear-eyed look at the opportunities, challenges, and creative thinking shaping indie film finance right nowUnknownUnknown+
Format · BroadcastUnknownFormat not classified from the source; treated as a broadcast block by default.
Evidence basisMediumRead from source
all eventBryce Norbitz oversees Tribeca's Artist Development programs, which empower filmmakers through year-round creative incubation, workshops, production prizes and curated mentorship. This includes tentpole the programs Tribeca/AT&T Presents: Untold Stories, which provides $1 Million to a feature film each year, and Through Her Lens: The Tribeca Chanel Women's Filmmaker Program which has supported short filmmaking for over a decade. In addition to programmatic work, she collaborates on Tribeca Studio’s film productions, content creation and branded entertainment initiatives. At the 2026 Tribeca Festival, the studio is premiering eight brand new films. Bryce works with creatives throughout the U.S. and abroad to provide emerging voices with connections, creative mentorship, industry access and film pitch training.WorkshopCo Creation+
Format · Participant workWorkshopParticipants work on a problem and produce something. The strongest signal of participation architecture.
Evidence basisMediumRead from source
3:30pm - 4:30pmAI is rapidly transforming the filmmaking process, unlocking powerful new creative possibilities for storytellers. This conversation dives into how artist-driven, ethically trained models and cutting-edge tools are streamlining workflows - from concept to post - while enabling filmmakers to visualize and scale their ideas with unprecedented speed and control. As these technologies evolve, we’ll explore not just what they make possible, but how they’re reshaping the language of storytelling.UnknownUnknown+
Format · BroadcastUnknownFormat not classified from the source; treated as a broadcast block by default.
Evidence basisMediumRead from source
5pm - 6pmFrom monologues to ''A Closer Look,'' late-night writers are on the front lines of turning the day’s chaos into sharp, immediate storytelling. This conversation goes inside the writers’ room at Late Night with Seth Meyers - how ideas are generated, refined, and delivered at breakneck speed, and how humor, voice, and point of view shape what makes it to air. Along the way, they'll unpack the craft of political comedy and what it means to write for an audience in real time.BreakWellbeing+
Format · LogisticsBreakA pacing or recovery block between sessions.
Evidence basisMediumRead from source
all eventMike Scollins is an Emmy-nominated writer and actor from Marshfield, MA. He is currently a supervising writer and performer on Late Night with Seth Meyers. He recently wrote and executive produced the coming-of-age comedy BRIAN which premiered this year at SXSW. Other writing credits include Saturday Night Live, The Golden Globes and The White House Correspondents' Dinner.MealWellbeing+
Format · LogisticsMealA pacing block. Can carry unstructured networking, not scored as participant work.
Evidence basisMediumRead from source
all eventEthan Shanfeld is a television reporter at Variety, where he also covers film, music, comedy, media and culture. He has penned magazine cover stories on Miley Cyrus, Mario and Disney, and he spent two months in court covering the Diddy trial. Prior to joining Variety in 2021, he wrote for publications including Pitchfork, Nylon and MTV News.PitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
10:30amFrom Silicon Valley and The Office to his recent turn in A24’s How to Make a Killing , Zach Woods has built a career defined by sharp intelligence, emotional nuance, and a singular comedic voice. In this wide-ranging conversation, Woods reflects on his evolution across acting, writing, and producing, culminating in his feature directorial debut, The Accompanist - having its world premiere at this year’s Tribeca Festival - marking an exciting new chapter in his creative journey.UnknownUnknown+
Format · BroadcastUnknownFormat not classified from the source; treated as a broadcast block by default.
Evidence basisMediumRead from source
12:00pm-1:00amNew York Women in Film & Television (NYWIFT) looks back on Tribeca’s 25th Anniversary history of championing women’s stories on screen and in the community. The festival has had a major impact in shifting the balance to recognize more women and non-binary creators in front of and behind the camera. Filmmakers across genres will reflect on Tribeca’s formative role in their career trajectory. Tribeca filmmakers will share stories from years past, insights looking toward the future, and share advice. Film clips will be featured.UnknownUnknown+
Format · BroadcastUnknownFormat not classified from the source; treated as a broadcast block by default.
Evidence basisMediumRead from source
all eventDori Berinstein is a six-time, Tony-winning Broadway producer and an Emmy-award-winning director/producer/writer of film & television. Dori’s filmmaking work includes: Couture To The Max (Tribeca ’26), Kenny Loggins: Conviction of the Heart (Hot Docs ’26), A Man with Sole: The Impact of Kenneth Cole (Tribeca X), ShowBusiness: The Road To Broadway (Tribeca), Carol Channing: Larger Than Life (Tribeca) and Marvin Hamlisch: What He Did For Love (Emmy). Dori supervised production on Dirty Dancing and Jim Henson’s MuppetVision 3-D and Exec-Produced Isaac Mizrahi’s award-winning-documentary Unzipped and Liza: A Truly Terrific Absolutely True Story. Dori has worked as a Producer/Exec for DreamWorks, Paramount Pictures, Warner Brothers, Sony Pictures, NBC, MTV, Nickelodeon, Sesame Workshop, Oxygen, Vestron Pictures and Walt Disney Imagineering.WorkshopCo Creation+
Format · Participant workWorkshopParticipants work on a problem and produce something. The strongest signal of participation architecture.
Evidence basisMediumRead from source
2pm-3pmThis conversation explores a growing shift in nonfiction storytelling as incarcerated filmmakers and creators within historically closed systems reclaim authorship over their own narratives. As access to tools, training, and platforms expands - through initiatives like prison-based film festivals and public media partnerships - stories about prisons, disability institutions, and other systems are moving from outsider observation to insider perspective. This panel examines how these voices are reshaping both the craft and power dynamics of documentary filmmaking. Presented by American Documentary Inc.PanelDeliberation+
Format · BroadcastPanelExperts discuss while the audience watches. Surfaces perspective but rarely creates participant work.
Evidence basisMediumRead from source
3:30pm-4:30pmCasting is often the most intuitive - and least visible - force behind great storytelling, shaping performances and defining a project's voice long before cameras roll. In this conversation, legendary casting directors pull back the curtain on their process, from discovering new talent to building unforgettable ensembles and forging creative partnerships with directors. Through stories from their careers, they'll explore the instinct, taste, and deep collaboration that go into casting, and why the right actor can transform not just a role, but an entire film.UnknownUnknown+
Format · BroadcastUnknownFormat not classified from the source; treated as a broadcast block by default.
Evidence basisMediumRead from source
5pm-6pmRebecca Miller - acclaimed filmmaker, author, and one of cinema’s most distinct voices - joins Josh Safdie (Marty Supreme) for a high-energy conversation on craft and process. From The Ballad of Jack and Rose to She Came to Me , and recent acclaimed Apple TV+ docuseries Mr. Scorsese, Miller reflects on a body of work shaped by emotional precision and a deep connection to character. In dialogue with Safdie, she’ll unpack how stories are built from instinct, how tone and tension are calibrated, and how Martin Scorsese’s influence - central to Miller’s portrait and deeply felt in Safdie’s own filmmaking - continues to shape their work.UnknownUnknown+
Format · BroadcastUnknownFormat not classified from the source; treated as a broadcast block by default.
Evidence basisMediumRead from source
all eventFrom Script to Screen: K-Pop Demon Hunters & BeyondDemoShowcase+
Format · Participant workDemoA hands-on or applied walkthrough that invites attendee questions and direct engagement.
Evidence basisMediumRead from source
10:30am-11:30amThe screenwriting duo behind Netflix’s animated mega-hit K-Pop Demon Hunters reflect on their creative partnership and evolving careers across film and television in a conversation with the host of the award-winning Smart Girl Dumb Questions podcast. Together, they’ll explore how ideas move from script to screen, collaborating across mediums, genres, and tones to build compelling stories. They’ll also discuss their upcoming slate - including projects with LuckyChap, Warner Bros., A24, and Legendary - and how they’re building a dynamic career at a remarkable pace.DemoShowcase+
Format · Participant workDemoA hands-on or applied walkthrough that invites attendee questions and direct engagement.
Evidence basisMediumRead from source
12pm-1pmFrom his early career as an actor to his emergence as a BAFTA-nominated director, Philip Barantini has quickly established himself as one of the most dynamic voices in contemporary British filmmaking. Known for his distinctive use of the ''oner'' - a long, uninterrupted single-shot take that creates immersive, real-time intensity - he reflects on projects including Boiling Point , Malpractice , and his Emmy Award - winning work on Adolescence. In this conversation, Barantini will discuss his evolution behind the camera and how his signature style shapes performance, tension, and storytelling.UnknownUnknown+
Format · BroadcastUnknownFormat not classified from the source; treated as a broadcast block by default.
Evidence basisMediumRead from source
all eventLiam Crowley is a reporter, host and producer for ScreenRant. Based in NYC, Liam leads ScreenRant's events coverage, fronting junket and red carpet interviews, moderating various panels across the continent, and hosting / producing the brand's signature talk show ''Coffee Chats.'' Liam's work has been spotlighted by THR, Variety, Deadline, The TODAY Show, and dozens of others. Prior to working in the industry, Liam was a proud fan of entertainment media itself throughout his childhood. He used to rush off the school bus in the 2010s to watch Collider Movie Talk and junket interviews from the likes of Chris Van Vliet, Kevin McCarthy, and Brandon Davis. That adolescent passion pushed Liam to pursue a degree in Broadcast & Digital Journalism, which he attained at Syracuse University, and the rest is history.PanelDeliberation+
Format · BroadcastPanelExperts discuss while the audience watches. Surfaces perspective but rarely creates participant work.
Evidence basisMediumRead from source
2pm - 3pmGreat stories rarely stay in one form. This panel explores the creative and practical process of adapting work across mediums - from books to film, film to stage, and beyond. With a focus on recent film-to-theater adaptations, the conversation will examine how creators translate narrative, tone, and audience experience while reimagining stories for entirely new formats.PanelDeliberation+
Format · BroadcastPanelExperts discuss while the audience watches. Surfaces perspective but rarely creates participant work.
Evidence basisMediumRead from source
3:30pm - 4:30pmAs the independent film landscape continues to evolve, new models are emerging to support creators navigating an increasingly complex ecosystem. This conversation explores Open Cities, a new production company and accelerator designed to empower filmmakers through a combination of financing, mentorship, and ethically driven technology. From development to distribution, the discussion will unpack how global, artist-focused initiatives like this aim to reshape pathways for independent storytelling and expand what's possible for the next generation of filmmakers.UnknownUnknown+
Format · BroadcastUnknownFormat not classified from the source; treated as a broadcast block by default.
Evidence basisMediumRead from source
5pm - 6pmThis conversation pulls back the curtain on the role of the multifaceted role of the showrunner - where creative vision meets leadership, strategy, and execution. From shaping story in the writers' room to navigating production, talent, and network demands, panelists share how they build worlds, lead teams, and sustain a series across seasons in an ever-evolving television landscape.PanelDeliberation+
Format · BroadcastPanelExperts discuss while the audience watches. Surfaces perspective but rarely creates participant work.
Evidence basisMediumRead from source
all eventMatthew Huff is a freelance entertainment journalist who has written for outlets including Vanity Fair, The New York Times, IndieWire, BuzzFeed, Parade, Gold Derby, Runner's World, The Advocate, Playboy, and more. Previously, he was the Senior Editor, Movies & Entertainment at Parade and a Staff Writer/Editor at BuzzFeed. He is the founder of The Report Card and the longtime co-host of the podcast P.S. You're Wrong. He is a member of the Critics Choice Association and GALECA and is a Rotten Tomatoes-approved critic. He has moderated panels for Oscar-nominated films and has served as a juror and screening committee member for major film festivals. He currently lives in New York.PanelDeliberation+
Format · BroadcastPanelExperts discuss while the audience watches. Surfaces perspective but rarely creates participant work.
Evidence basisMediumRead from source
10:30am - 11:30amFrom intimate character studies to searing portraits and rigorous investigative work, today's filmmakers are expanding the scope and impact of nonfiction storytelling. This conversation explores how directors and producers are pushing the form forward - bringing new perspectives, rethinking authorship, and driving narrative innovation in documentary film. As the landscape evolves, this conversation will examine how these voices are reframing and reshaping the stories we tell and how they're told.UnknownUnknown+
Format · BroadcastUnknownFormat not classified from the source; treated as a broadcast block by default.
Evidence basisMediumRead from source
12:00pm - 1:00pmChé ChisholmUnknownUnknown+
Format · BroadcastUnknownFormat not classified from the source; treated as a broadcast block by default.
Evidence basisMediumRead from source
all eventChé Chisholm is CEO of Ghetto Film School (GFS), an award-winning nonprofit dedicated to educating and empowering the next generation of storytellers. With programs in New York, Los Angeles, and London, GFS identifies emerging talent and provides free access to its 20-month fellowship, preparing students for top universities and careers in the creative industries. A visionary founder, producer, and educator with over 30 years of experience, Ché has created media and arts programming for organizations including HBO, The Gotham, and the NYC Department of Education. She is also the founder of Automatic Studios, a filmmaking program for youth. Ché holds degrees from Syracuse University, The New School, and FIT, and has completed executive training at NYU Stern. She serves on multiple boards supporting arts, design, and cultural institutions.TrainingSkill Building+
Format · Participant workTrainingGuided skill building where participants practice. Counts as participant work and learning transfer.
Evidence basisMediumRead from source
all eventPatrice Francois is the Founder and Festival Director of Imagine This Women's International Film Festival and a post-production professional in television and digital media. Her work championing emerging voices, particularly women, BIPOC, and LGBTQIA+ filmmakers, has opened doors and shifted what's possible for a new generation of talent.Through festival programming, mentorship, networking events, industry workshops, and community-driven storytelling, she has supported countless filmmakers with the guidance and resources needed to navigate the industry and the platform to be seen. Her mission is to disrupt the status quo and ensure that the next generation of diverse storytellers has every opportunity to thrive.WorkshopCo Creation+
Format · Participant workWorkshopParticipants work on a problem and produce something. The strongest signal of participation architecture.
Evidence basisMediumRead from source
all eventJohn Gibson leads global outreach and workforce development initiatives at the Motion Picture Association, building strategic partnerships that expand access to careers across the entertainment industry. Since launching the program in 2012, he has collaborated with more than 60 organizations across the U.S., Canada, and the U.K., supporting training, pipeline development, and industry entry opportunities. His work has helped strengthen connections between emerging talent and the evolving needs of the global media marketplace. A frequent speaker and advocate, Gibson has been featured in Variety, The Hollywood Reporter, and The Los Angeles Times, and recognized by numerous organizations for his leadership in advancing workforce diversity and access.TrainingSkill Building+
Format · Participant workTrainingGuided skill building where participants practice. Counts as participant work and learning transfer.
Evidence basisMediumRead from source
2:00pm - 3:00pmWhat does it take to create comedy that resonates - episode after episode, season after season? In celebration of NBC100, writers behind some of New York’s most iconic shows - from 30 Rock to Brooklyn Nine-Nine and beyond - go inside the fast-paced, high-pressure world of writing comedy at the highest level. From the writers’ room to the finished episode, they’ll unpack how distinct voices are shaped, ensembles are built, and humor stays sharp, relevant, and deeply human in a city that never stops moving.UnknownUnknown+
Format · BroadcastUnknownFormat not classified from the source; treated as a broadcast block by default.
Evidence basisMediumRead from source
all eventRobert Carlock is the co-creator of NBC's The Fall and Rise of Reggie Dinkins , starring Tracy Morgan, Daniel Radcliffe, and Erika Alexander. He co-created Unbreakable Kimmy Schmidt and Mr. Mayor , and was an executive producer on Girls5eva and the Netflix animated series Mulligan. Carlock also served as executive producer and co-showrunner of 30 Rock, which won three Emmy Awards for Outstanding Comedy Series. He began his career on The Dana Carvey Show before joining Saturday Night Live for five seasons, including two as head writer of ''Weekend Update.'' He later wrote on Friends during its final three seasons. Carlock’s work has earned him nine Writers Guild Awards, a Golden Globe, and a Peabody Award. In 2018, he received the WGA's Herb Sargent Award for Excellence in Comedy. He lives in Manhattan with his wife and three children.BreakWellbeing+
Format · LogisticsBreakA pacing or recovery block between sessions.
Evidence basisMediumRead from source
all eventTine Fey is an award-winning author, writer, actor, and producer known for 30 Rock, Unbreakable Kimmy Schmidt, Mean Girls, and Saturday Night Live. She currently serves as Co-Creator, Co-Showrunner, and Co-Executive Producer on Netflix’s The Four Seasons and The Fall and Rise of Reggie Dinkins.BreakWellbeing+
Format · LogisticsBreakA pacing or recovery block between sessions.
Evidence basisMediumRead from source
all eventSam Means began his career as a cartoonist for The New Yorker before going on to write for The Daily Show with Jon Stewart, 30 Rock, Parks & Recreation, Unbreakable Kimmy Schmidt, and a whole bunch of other stuff. He is the co-creator, with Robert Carlock, of the Netflix animated series Mulligan and the NBC sitcom The Fall and Rise of Reggie Dinkins.BreakWellbeing+
Format · LogisticsBreakA pacing or recovery block between sessions.
Evidence basisMediumRead from source
all eventWhen Damian isn't teaching his straight friends how to tell the Real Housewives apart and preaching the gospel of Liz Lemon, he can be found getting a Peanuts tattoo (28 so far!) or interviewing TV stars. He has served on the board of the Television Critics Association, is a Critics Choice and GALECA member and recommends anything with vampires or rich teens played by 20somethings. He is the co-host of the Official Peanuts Podcast, ''You Don't Know Peanuts,'' and has moderated panels at the Paley Center for Media, the Screen Actors Guild, SCAD TVfest, ATX TV Festival, Tribeca and at Comic-Cons on both coasts. He's appeared on Chelsea Lately , several TV Guide Network specials, and (for a few brief, shining moments) Fringe Fringe, Gotham and It's Always Sunny in Philadelphia. He is currently a Senior Writer for TV Guide Magazine.PanelDeliberation+
Format · BroadcastPanelExperts discuss while the audience watches. Surfaces perspective but rarely creates participant work.
Evidence basisMediumRead from source
3:30pm - 4:30pmPresented by the NYC Mayor’s Office of Media and Entertainment, this conversation offers a behind-the-scenes look at what it really takes to shoot in New York City. From navigating logistics and locations to capturing the city’s ever-evolving energy, the discussion dives into the practical realities and creative opportunities of working on the ground in NYC. Whether you’re a filmmaker or a fan, a diverse selection of NYC’s creative voices offer an inside look at how stories come to life on the iconic and bustling city streets. Introduction by Commissioner Rafael Espinal, NYC Mayor’s Office of Media and Entertainment.UnknownUnknown+
Format · BroadcastUnknownFormat not classified from the source; treated as a broadcast block by default.
Evidence basisMediumRead from source
5pm-6pmAs traditional distribution models continue to shift, a new wave of platforms and companies is empowering filmmakers to take control of how their work reaches audiences. This conversation explores innovative, filmmaker-first approaches - from direct-to-audience releases to education-driven platforms - that are redefining ownership, access, and engagement. In a rapidly evolving landscape, panelists will discuss how these models are creating new pathways for independent films to be seen, shared, and sustained.PanelDeliberation+
Format · BroadcastPanelExperts discuss while the audience watches. Surfaces perspective but rarely creates participant work.
Evidence basisMediumRead from source
12:30pm - 1:30pm@ Shorts Theater at Spring StudiosUnknownUnknown+
Format · BroadcastUnknownFormat not classified from the source; treated as a broadcast block by default.
Evidence basisMediumRead from source
all eventFrom Feed to Feature: Creators Breaking into FilmmakingBreakWellbeing+
Format · LogisticsBreakA pacing or recovery block between sessions.
Evidence basisMediumRead from source
11am - 12pmA new generation of storytellers is making the leap from digital platforms to the big screen. This conversation explores how content creators are translating their voice, audience, and creative instincts into feature filmmaking - navigating scale, financing, and the shift from short-form to long-form storytelling.UnknownUnknown+
Format · BroadcastUnknownFormat not classified from the source; treated as a broadcast block by default.
Evidence basisMediumRead from source
1pm - 2pmIn a crowded marketplace, taste isn't subjective, it's a strategy. This conversation explores how leading film companies define their creative identity and translate it into the projects they develop and champion. Panelists will discuss what they look for in material and filmmakers, how they nurture projects from early development through production, and how a clear point of view can shape both the film itself and its path to audiences.PanelDeliberation+
Format · BroadcastPanelExperts discuss while the audience watches. Surfaces perspective but rarely creates participant work.
Evidence basisMediumRead from source
all eventPitching: Winning Over the RoomPitchCommercial Exchange+
Format · Participant workPitchParticipants present or are directly evaluated, an active rather than a passive format.
Evidence basisMediumRead from source
3pm - 4pmYou’ve got a strong project and a solid logline - but when it’s time to pitch it out loud, does it actually land? This interactive workshop is designed to turn a flat pitch into one that feels confident, clear, and compelling, breaking down how to communicate story, character, stakes, and tone in the room. Participants will have the opportunity to share short elevator pitches and receive real-time feedback, leaving with practical tools to sharpen their delivery and make their story stick. Co-Hosted by the International Screenwriters’ Association.WorkshopCo Creation+
Format · Participant workWorkshopParticipants work on a problem and produce something. The strongest signal of participation architecture.
Evidence basisMediumRead from source
5pm - 6pmUsing the Oscar-nominated short film Feeling Through as a case study, this conversation explores what it truly means to build accessibility into production from the ground up. This panel examines how the team partnered with the DeafBlind community to create an authentic and accessible production, reshaping assumptions about who gets to be seen on screen and how films get made - offering a blueprint for more inclusive, accessible storytelling.PanelDeliberation+
Format · BroadcastPanelExperts discuss while the audience watches. Surfaces perspective but rarely creates participant work.
Evidence basisMediumRead from source
11am - 12pmAs the traditional distribution landscape tightens, a new generation of indie distributors is emerging to fill the gap - bringing fresh strategies, bold curatorial voices, and alternative pathways to audiences. This conversation explores how these companies are navigating a crowded, evolving marketplace by blending financing, production, and distribution while championing films that might otherwise be overlooked. In a moment of disruption and opportunity, we’ll examine how this new wave is reshaping the ecosystem and redefining what it means to bring independent film to market.UnknownUnknown+
Format · BroadcastUnknownFormat not classified from the source; treated as a broadcast block by default.
Evidence basisMediumRead from source
1pm - 2pmTim LeagueUnknownUnknown+
Format · BroadcastUnknownFormat not classified from the source; treated as a broadcast block by default.
Evidence basisMediumRead from source
all eventTabitha Jackson is the Director of Film Forum, the legendary independent arthouse in Manhattan’s Greenwich Village - the only autonomous, nonprofit cinema in NYC. This is Jackson’s latest role in a 30-year career that began in public broadcasting before she moved to independent film. After leading the Sundance Institute’s Documentary Film Program for 7 years, she became the first woman and person of color to have been appointed director of the Sundance Film Festival. Jackson’s previous experience as Emmy-winning director-producer, executive producer, commissioning editor and non-fiction author has demonstrated her unshakeable belief in the arts as a public good, and in freedom of creative expression and exchange as a democratic necessity. Tabitha is a member of the Academy of Motion Picture Arts and Sciences and a research fellow at MIT’s Open Documentary Lab.DemoShowcase+
Format · Participant workDemoA hands-on or applied walkthrough that invites attendee questions and direct engagement.
Evidence basisMediumRead from source
3pm - 4pmFrom his acclaimed breakout debut Pig to the studio scale of A Quiet Place: Day One, Michael Sarnoski has quickly established himself as a distinctive voice, blending intimate character work with expansive, high-stakes storytelling. In this conversation, he reflects on his evolution as a writer-director and the challenge of maintaining a singular creative vision across projects of vastly different scope. Looking ahead, he’ll also discuss his upcoming projects with A24: The Death of Robin Hood , a dark reimagining of the classic tale starring Hugh Jackman, and Death Stranding, the live-action adaptation of Hideo Kojima’s genre-defying video game.BreakWellbeing+
Format · LogisticsBreakA pacing or recovery block between sessions.
Evidence basisMediumRead from source
5pm - 6pmHow do you make an audience feel unsettled before anything even happens? Drawing from their work on their hit show on Netflix, Something Very Bad is Going to Happen , creator and showrunner Haley Z. Boston and composer Colin Stetson break down the craft of psychological horror - from narrative design to sonic language - revealing how story and score work in tandem to build tension and leave a lasting impression.BreakWellbeing+
Format · LogisticsBreakA pacing or recovery block between sessions.
Evidence basisMediumRead from source
11am - 1pm@ Shorts Theater at Spring StudioUnknownUnknown+
Format · BroadcastUnknownFormat not classified from the source; treated as a broadcast block by default.
Evidence basisMediumRead from source
all eventMark Johnson is both an Oscar (Rain Man) and an Emmy (Breaking Bad) winner. He has produced over seventy television shows and films. On the TV side, Johnson has executive produced Better Call Saul , Halt and Catch Fire , and Rectify , among others. A few of his feature credits include Diner , Good Morning Vietnam , The Natural , A Little Princess , The Notebook , and Galaxy Quest. Most recently, he produced Alexander Payne's feature film The Holdovers , and his current television shows include Anne Rice's Interview with the Vampire (The Vampire Lestat) and Mayfair Witches which air on AMC.BreakWellbeing+
Format · LogisticsBreakA pacing or recovery block between sessions.
Evidence basisMediumRead from source
1:30pm - 2:30pmIn this conversation, long-time producer Ted Hope unpacks his NonDē movement - a reimagining of independent filmmaking that challenges traditional industry models and prioritizes sustainability, creative freedom, and direct connection with audiences. Moving beyond the constraints of legacy systems, NonDē advocates for new pathways in financing, production, and distribution that empower filmmakers to retain ownership and build lasting careers. This discussion explores how the future of independent storytelling might be rebuilt from the ground up.UnknownUnknown+
Format · BroadcastUnknownFormat not classified from the source; treated as a broadcast block by default.
Evidence basisMediumRead from source
3pm-4pmThis panel will explore how Sphere is ushering in a new era of immersive entertainment, where technology, scale, and premium content transform how audiences experience storytelling. Through The Wizard of Oz at Sphere, this conversation explores the success of the experience and what it signals about the role of technology in experiential storytelling.PanelDeliberation+
Format · BroadcastPanelExperts discuss while the audience watches. Surfaces perspective but rarely creates participant work.
Evidence basisMediumRead from source
5pm - 6pmFollowing years of a minimalist wave threaded through different industries and artistic mediums, maximalism feels abundant again. There will always be space for all the forms, but how does bold and distinct aesthetic decisions create singular tone? What does that mean for the kind of art and experiences we explore?UnknownUnknown+
Format · BroadcastUnknownFormat not classified from the source; treated as a broadcast block by default.
Evidence basisMediumRead from source
3am - 11:30amWhether a blood pumping metal guitar crescendo adds shockwaves to a boss battle, or the quick theme highlights a new buff or collectable, music and sound design takes entertainment to new heights. Join representatives from the Tribeca 2026 Games Official Selections to discuss the intricacies of implementing sound alongside design and gamebreaking interaction to create visceral experiences.BreakWellbeing+
Format · LogisticsBreakA pacing or recovery block between sessions.
Evidence basisMediumRead from source
12:00pm-1:00pmWith a growing need for meaningful talent development initiatives, mentorship, and placement opportunities across the entertainment landscape, WBD Access serves as a powerful conduit for talent and Warner Bros. Discovery brands. In this conversation, we will discuss what it means to build more visible and sustained pathways into the industry for emerging writers, producers, directors, and creators. Presented by Warner Bros. DiscoveryUnknownUnknown+
Format · BroadcastUnknownFormat not classified from the source; treated as a broadcast block by default.
Evidence basisMediumRead from source
all eventNatallie Chavesta is a first-generation Peruvian American post-production coordinator based in New York. She completed the WBD Access x ReelWorks Post Coordinator Training Program in the Fall of 2021 and has since gone on to work on various critically acclaimed series including Fallout (Amazon), The Gilded Age (HBO), and Task (HBO). She is currently a post-production coordinator on the fourth season of HBO's The Gilded Age.TrainingSkill Building+
Format · Participant workTrainingGuided skill building where participants practice. Counts as participant work and learning transfer.
Evidence basisMediumRead from source
2pm - 3pmAn interactive panel discussion and case study on innovative models and partnerships for short film distribution using Level Forward impact campaigns and shorts distribution as case study - including Nazrin Choudhury's Oscar-nominated Red, White & Blue, the community ownership model of We Ride for Her, and the formation of the forthcoming campaign for the Mother Justice series in partnership with Population Media Center. Presented by Level Forward.PanelDeliberation+
Format · BroadcastPanelExperts discuss while the audience watches. Surfaces perspective but rarely creates participant work.
Evidence basisMediumRead from source
3:30pm - 4:30pmDan Houser, co-founder of Rockstar Games and the creative force behind Grand Theft Auto and Red Dead Redemption, now leads the storytelling-driven company Absurd Ventures. Since its launch, Absurd has expanded across mediums with projects including the chart-topping audio series A Better Paradise, the bestselling comic American Caper, and new animation and video game worlds in development. In this conversation, Dan Houser and his longtime writing partner Lazlow explore their approach to worldbuilding and the evolution of storytelling beyond video games alongside several of Absurd’s key partners from Dark Horse, Smilegate, and more.UnknownUnknown+
Format · BroadcastUnknownFormat not classified from the source; treated as a broadcast block by default.
Evidence basisMediumRead from source
all eventElle Osili Wood is an award-winning television host, writer, and entertainer, described by BAFTA as ’’an industry go-to’’, and honored as a BAFTA Breakthrough in television. Originally from London, now in Los Angeles, Elle’s reputation as a leading cultural voice has seen her front arts and entertainment programming around the world; whether co-hosting the UK broadcast of the Oscars, making documentaries for the BBC, or being described as “one of the most influential women in games” by Google.BreakWellbeing+
Format · LogisticsBreakA pacing or recovery block between sessions.
Evidence basisMediumRead from source
5pm - 6pmEver wonder what it was like to serve dessert to a genocidal tyrant? The filmmaking team behind the documentary How to Feed a Dictator discuss their film, how food and power are inherently intertwined, and what parallels we can draw from the 20th century’s most notorious strongmen to the present day.UnknownUnknown+
Format · BroadcastUnknownFormat not classified from the source; treated as a broadcast block by default.
Evidence basisMediumRead from source
all eventAndrew Neel is an award winning writer, director and producer. He has\ndirected and produced award winning documentaries including Darkon \nand Alice Neel. Neel’s critically acclaimed fictional film Goat premiered\nat Sundance and Berlin in 2016 and was released by Paramount in 2016.\nHe co-wrote Zola produced by A24 released in 2021. Previously he\nproduced Fleischner’s Stand Clear of the Closing Doors \n( Tribeca Jury Prize ) and the critically acclaimed documentary Breaking a Monster. Neel also worked as a writer, director and co-producer on\nthe FX limited series A Teacher released 2020.BreakWellbeing+
Format · LogisticsBreakA pacing or recovery block between sessions.
Evidence basisMediumRead from source
all eventEthan Palmer has been working in film production for over 20 years. His recent cinematography work can be seen in Plainclothes starring Tom Blyth and Russel Tovey (Sundance 2025), Taylor Swift’s Folklore: The Long Pond Sessions (Disney +), Adopting Audrey starring Jena Malone and Ted K (Berlin 2021) starring Sharlto Copley. He also photographed Goat (Sundance 2016) starring Nick Jonas and James Franco, Breaking a Monster (SXSW 2015), Stand Clear of the Closing Doors (Tribeca 2013) and King Kelly (SXSW 2012). Ethan also regularly shoots commercial and short form projects. As a partner at SeeThink Films, he produced Darkon (SXSW 2006) and the feature documentary Alice Neel (2007). Ethan graduated from NYU's Gallatin School with a concentration in Film Studies and Comparative Religion and lives in NY’s Hudson Valley.BreakWellbeing+
Format · LogisticsBreakA pacing or recovery block between sessions.
Evidence basisMediumRead from source
The Full Reading
Why It Ranks This Way +
Calibrated from GES design 47/100 and verified 45/100, then capped for agenda is mostly passive without visible outcome mechanics.
Reader Takeaway. For a reader, this is a comparison record more than a model to copy: it reads as a broadcast-heavy conference, with the strongest visible signal in personalization and future-of-work fit and the biggest open question around follow through and participation architecture. The practical test is whether the published agenda connects the room to post-event continuation and evidence.
Strongest signals: Personalization, Future-of-Work Fit, and Learning Transfer. Weakest signals: Follow Through, Participation Architecture, and Evidence Maturity.
How This Agenda Could Improve +
- Add named owners, dates, implementation checkpoints, and a visible post-event continuation path.
- Turn passive airtime into participant work: practice, sensemaking, decisions, critique, or artifact creation.
- Add baseline measurement, comparison logic, tracking, or post-event impact reporting so effectiveness is not inferred only from format.
Fastest next move: Add named owners, dated next steps, and a visible continuation path before treating the event as outcome-ready.
Role-Specific Reading +
Sponsor lens
Look beyond exposure. Strong sponsor value would show qualified interaction, problem work, buyer learning, customer evidence, or follow-up. The practical sponsor move is to look for structured introductions, buyer-seller fit, and relationship persistence.
Designer lens
The agenda is useful as a pattern sample from tribecafilm.com. Redesign attention should go first to the lowest-scoring pillars; in practice, turn the thinnest agenda blocks into participant work.
Executive lens
Treat the visible agenda as an operating plan. The executive move is to require owners, dates, and evidence before treating the event as strategic. If owners, proof, and follow-through are not visible, the public record does not yet prove strategic movement.
Aggregator lens
Treat the source URL as evidence, not decoration. The data-product move is to label the source boundary clearly before ranking the record before ranking or syndicating the record.
What GES Means Here +
The Gathering Effectiveness Score is a strict 0-100 public-evidence reading of the agenda across eight pillars. It rewards visible participant work, follow-through, transfer, network design, and proof mechanisms more than polish, speaker fame, attendance, or satisfaction.
Visible mechanisms: Participant work, Feedback, Network design, Learning transfer, Personalization.
Evidence boundary: Scores reflect visible agenda/source evidence and should not be read as proof of causal event impact.
Limitations, Score Caps, and Review Flags +
Limitations
- No visible follow-up, progress monitoring, or longitudinal tracking.
- Passive stage formats dominate the visible agenda.
- No baseline measurement is visible.
Score caps
- 42: No visible follow-up, tracking, or impact mechanism.
- 34: Agenda is mostly passive without visible outcome mechanics.
Review flags
- Fourth-loop score cap: No visible follow-up, tracking, or impact mechanism.
- Fourth-loop score cap: Agenda is mostly passive without visible outcome mechanics.
- No source-backed follow-up, validation, baseline, tracking, or impact evidence.
- No tracking, validation, feedback, or impact measurement found in the visible source text.
Is this proof the event worked? +
No. This is a strict public-evidence reading of the agenda. Proof would require baseline, comparison, follow-up, attribution, and impact evidence beyond the listing.
What should a reader inspect first? +
Start with the source URL, then compare the eight pillar scores against the agenda rows. The biggest opportunities usually sit in follow-through, evidence maturity, and participant work.
Why publish weak records? +
Weak records are part of the map. They show where public agendas still describe sessions and speakers more often than outcomes, commitments, transfer, or proof.
How should I use the rows? +
Read the agenda rows as the visible design trace: formats, purposes, and evidence labels show what the public source made inspectable, not everything that happened in the room. This is a source-grounded interpretation of the public agenda record, not a copy of the source, and not an endorsement of the event.
Embed the verified badge +
This record is in the hand-verified gold set. Copy the snippet below to embed the verified badge on your own site.
<a href="https://unitedwetransform.com/events/evt_2026_2026_festival_guide_tribeca_film_festival_storytelling_summit_tribecafilm_c_c49230"><img src="https://unitedwetransform.com/badge/ges-verified.svg" alt="GES verified by United We Transform" height="40"></a>Where To Go Next
Compare this agenda against other Culture / Media / Festival events scored on the same eight pillars.